Cultural truth is the perpetuated lies of the powerful that goes unquestioned

Cultural truth is the perpetuated lies of the powerful that goes unquestioned. Trujillo dictatorship in Dominican Republic was a dark time where ethnic Identities were manipulated in hopes of remaining in power. Junot Diaz implies that eurocentrism and white washing stripped dominican people of their cultural identity by questioning of the hegemonic structures in the dominican culture and exposing the aftermath of cultural exploitation through alliteration and multiple perspectives. Symbols such as the blank pages illuminates trujillo’s power to rewrite all dominican history.
To critic the cultural hegemony in dominican culture, diaz creates discourse on eurocentrism utilizing alliteration to elucidate the robbery of dominican societal identity as they attempt to cope with Trujillo dystopia. When Oscar did not fit in the social construct of his nation, he find himself distant from dominican culture but connecting to his American background. This shift not only display Oscar willingness to not conform to social norms but he is becoming someone he is not as an attempt to escape his hell “You really want to know what being an X-Man feels like? Just be a smart bookish boy of color in a contemporary U.S. ghetto. Mamma mia! Like having bat wings or a pair of tentacles growing out of your chest” (Díaz 22). Oscar is of dominican background but noticeably he is attracted to American influences whether in literature or popular culture . His interest in Akira, a japanese apocalyptic and dystopian film, reveals his fusion of identities and depiction of Trujillo reign as past but real anti Utopian society.